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Thursday, January 21, 2016

Impact of Racism in ‘Maus’ by Art Spiegelman



            One of the important themes showed by Art Spiegelman in the book Maus is racism and how it impact the characters. The story shows the difficult experience of characters during Holocaust and how it shapes their personality and outlook in life. The focus of this research paper is to answer the question: how is racism portrayed in Maus and if racism only applies to Nazis? A good way to see how racism is applied in the book is to look into actions of the characters and also identify if racism can only happen to Nazis.

            A good way to understand how racism happens in the story is looking at particular scenes in the book and also the whole impact it creates to characters. This would help readers understand how racism shapes the experience of Vladek during the Holocaust and also after the event where his son would experience the same problem. Using this as basis can help discover important ways to show the impact and problem caused by racism to Jews during the Holocaust.

            Examining the text, racism is portrayed to be violent. This means that the practice of racism by the Germans helped shape the Holocaust. It is violent because the Jews like Vladek, Anja and Mala were subjected to harsh treatment. They were imprisoned in camps where many people die. Also, they saw how other Jews are killed because the Germans believe they are a better race. Due to the actions of the Nazis during the Holocaust, surviving became a challenge for the characters in the story. This can be seen with Vladek as he tries to recall the suffering he experienced (Spiegelman, Book I, Chapter 4 ).

            Racism can also be portrayed as destructive both individually and as a group. This means that the practice of discrimination against race serve as a tool that can be used to promote difficult situations. Applying this to the piece, the individual difficulties can clearly be seen not only to the survivors of the Holocaust but to the second generation as well. For example, there are different impacts that the situation created to characters like Vladek, Anja and Mala. They are characters who have reacted to the situation differently. Vladek showed behavior that is disconnected and continues to be harsh about what happened in the past (Spiegelman, Book I, Chapter 5). On the other hand, Anja and Mala remain to be different. Mala accepted the fate of what happened but Anja, due to the suffering and inability to adapt caused her to commit suicide.

            The destructive nature of racism can also be seen throughout the group. The impact of the Holocaust clearly prove to be difficult for Art as he tries to recall the different ways his father showed painful memories because of the suffering he has faced. That is why the relationship as a father-and-son was difficult and problematic. In a way, the problems created by this situation are the result of the Holocaust and the unfair treatment the characters were subjected to. This has then passed on to the next generation where the children of survivors such as Art tried to find ways to cope with the experience his father faced after what has happened. The feelings of resentment, anger and bitterness remained to be important in shaping the identity of Art growing up.

            The development of trauma is also a way that racism is shown in the book. This means that the Holocaust survivors brought their negative experience with them after the event and had an effect in their identity as a person. The trauma and how it is represented can be seen on various scenes in the book wherein Vladek and Art try to share what happened during this painful and difficult time. A good way to describe this relationship comes from Puneet where she mentions, “Maus is part of second-generation literature that strives to both learn about the influence of the first-generation’s past on their present, and to work through and comprehend their relationship and identity in the context of this traumatic and absent past” (4). This quote means that Art wanted to show the story of his father and how he and other survivors were able to overcome all the challenges and obstacles during the Holocaust.

            Lastly, racism is portrayed to be continuous and never stops. This means that racism still continues even after the problem of Holocaust is already over In the story, it shows that even if Vladek survived the Nazis, his identity remains to be influenced by bitterness and anger. The process of racism happens because his perspective of German perspective was passed down to the next generation. The continuity of racism happens when Art experiences tries to look in the past of his father. In particular, Leventhall argues that “Maus rewrites the cultural norm and invents a new discursive space to address the question of Jewish trauma, guilt, shame and, perhaps more importantly, the transmission of these conflicts from one generation to the next, especially in the case that they are not sufficiently worked-through” (1). This means that the practice of racism will not stop but rather create ways to transmit its effects to the next generation.

Does Racism Apply to Nazis Alone?
            Based on the story provided by Spiegelman, the important part that shows racism comes from the Germans. The Nazis were portrayed in the story as brutal, aggressive and promotes discrimination against the Jews. The things they did in the concentration camp influenced the people to believe that they are mad and the actions of the Nazi regime clearly wanted all the Jews dead. Those people who survived found the Germans to be at fault during the whole incident. They saw their actions as bad and sought for justice to the killings that were committed. Arguably, Spiegelman’s story remains to show the practice of racism not only by the Nazis but of his fellow Jews as well. Though readers may only recognize the perspective of his father Vladek and his experience growing up after what has happened in the German Holocaust.

            Examining the application of racism from the Jews, Vladek’s character also remains to be a good way to show this process. This can particularly be seen with the views Art’s father has over other race and culture. A good example would be how Vladek sees the African Americans who had stolen his valuables. In the book, he creates a stereotype of the group and classifies them to be inferior. This specific example shows that even if Vladek can be considered a survivor of the Holocaust, it does not mean he does not have a specific view that influences his perspective of other people or group. Here, Spieb mentions that “this shows that Vladek gets a great deal of credit for surviving the Holocaust and negative traits are consciously ignored” (Section 5).

            Based from the analysis above, it shows that the characters in the story remain to discriminate. For the Nazis, this was very obvious because of the murders and violence they had committed against the Jews. Their belief about superiority influenced their actions and helped create a false perception about the Jews. Equally, the Jews also demonstrate racism especially to other groups. The example showed by Art from his father Vladek is a good example to show that the Jews should also be included in the analysis.

Conclusion
            To conclude, there are different ways that racism is portrayed in Maus. The reasons mentioned provide negative impact to the characters of the story as they have to struggle to live. The same can also be seen with the second generation where they had to find out about the challenge and forgotten memories of the Holocaust. Based from this viewpoint, it is important to point out that racism is not specific to the Nazis alone. Rather, there are situations where Holocaust survivors like Vladek show racist actions to other groups. This gives readers a good understanding of what is happening and the impact the Nazis created to the Jews who survived.   

Work Cited
Kohli, Puneet. ‘The Memory and Legacy of Trauma in Art Spieglman’s Maus’ Prandium – The
Journal of Historical Studies, vol. 1 no. 1 2012 Journal, 1-22.
Leventhal, Robert. Art Spiegelman’s Maus: Working Through the Trauma of the Holocaust.
1995 Web Available from <http://www2.iath.virginia.edu/holocaust/spiegelman.html>
Spieb, Patrick. Characterization and Symbolism of Maus. 2011 GRIN Verlag; Germany,
Seminar Paper.

Spiegelman, Art. Maus. 2005 Penguin Books; United States, Print. 


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